Nigel Kennedy’s “Four Seasons” are still controversial enough to stir up heated debates on internet forums worlwide. While it remains a kind of bible and a reference recording to some, others regard it as a mere publicity stunt and as badly played. Most fail to understand, though, that the work was not even faintly the cashcow or even part of the standard repertoire as it is now. Kennedy certainly broke a couple of dogmas and certainly not just visual ones. With the success he’s had (purportedly, someone was buying the album every 30 seconds in the UK during its one-year stay in the classical charts), he now feels as though his initial sentiments have been confirmed by history: “It felt fucking great to be the architect of a whole new fashion in performing and marketing classical music," Kennedy exclaimed, “It felt great to communicate music and share it with the type of people most of those in the classical hierarchy would want to lock out of the concert chamber.”
Just like he re-recorded a new version of his “Four Seasons”, Nigel Kennedy has also gone back to the Beethoven Violin Concerto and has produced a fresh rendition with the Polish Chamber Orchestra. More news on that soon.
Homepage: Nigel Kennedy
Homepage: Nigel Kennedy at the Mail on Sunday
Just like he re-recorded a new version of his “Four Seasons”, Nigel Kennedy has also gone back to the Beethoven Violin Concerto and has produced a fresh rendition with the Polish Chamber Orchestra. More news on that soon.
Homepage: Nigel Kennedy
Homepage: Nigel Kennedy at the Mail on Sunday
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